Dove Allouche
L’ennemi déclaré, 2012
Pigment print on Hahnemühle bamboo 290g paper
40 x 30 cm
Numbered and signed
Edition 14 + 2AP (Edition Circuit 2012)

€ 300, -

En 2008, Dove Allouche réunit au Crédac à Ivry 140 dessins au graphite sous le titre Mélanophila 2.
Ces dessins, réalisés à partir de 140 photographies prises dans une forêt d'eucalyptus calcinée du
Portugal constituent la restitution d’une fulgurance (le mélanophila est un scarabée qui détecte les
incendies pour s’installer ensuite et y effectuer sa ponte à l’abri des prédateurs). Le sujet dessiné
est peu ou prou 140 fois le même, mais d’un point de vue décalé. La reconstruction par le dessin
est plus lente que la réalité. En effet, les photographies ont été faites l’été 2003 et la série de
dessins s’achève pour l’exposition, cinq ans plus tard, en 2008, les eucalyptus, ayant la vertu de
vite se régénérer, ont déjà repoussé au Portugal.
L’Ennemi déclaré est le titre du volume posthume de textes et d’entretiens de Jean Genet paru en
1991. Ce livre qui contient 4h à Chatila a accompagné la réalisation des 140 dessins de Dove
Allouche durant cinq ans. On observe sur la couverture les traces d’affûtage du crayon graphite.
Lorsque Genet écrit ce «témoignage» des massacres dans les camps de Sabra et Chatila, il n’a pas
écrit depuis dix ans. Genet met en place la restitution d’une fulgurance dans un texte d’une
grande beauté, d’une grande poésie, qui va au-delà de la réalité. Une image ne peut restituer
l’horreur. Ce texte, d’une grande précision, témoigne d’un passage éclair et met en place la
puissance du souvenir, de la mémoire après l’expérience. Tout comme Dove Allouche a dessiné
durant cinq années la restitution d’une fulgurance.
(d'après Claire Le Restif, communiqué de presse, L'ennemi est déclaré, Crédac, 2008)


Julien Crépieux
Microfilm-DSC_3765, 2012
Pigment print on baryta paper
32 x 26 cm
Edition 3 + 2AP

€ 350, -


Julien Crépieux
Microfilm-DSC_4403, 2012
Pigment print on baryta paper
32 x 26 cm
Edition 3 + 2AP

€ 350, -


Julien Crépieux
Microfilm-DSC_4533, 2012
Pigment print on baryta paper
32 x 26 cm
Edition 3 + 2AP

€ 350, -


Jagna Ciuchta
after the grey room, 2011
5 photographs, 24 x 30 cm
1 livret, 24 x 30 cm
Edition 5 + 1AP

€ 600, -

the grey room is a work Jagna Ciuchta set up at the Fondazione Antonio Ratti, Como, in 2011.
"I arrange an empty exhibition space in the Textile Museum of FAR, with newly painted walls,
curtains and exhibition accessories as empty showcases, frames and plinths. I invite artists to
occupy the space with their works, what creates a self-curating, self-displaying and self-running
exhibition that transforms everyday through one month. Afterwords I write a diary."
after the grey room is an activation of the photographs Jagna Ciuchta took after the
exhibition's dismantling, accompanied by her diary.

Jacob Jessen
untitled (flare), 2012
Unique photograph developed on shooting's site
40,5 cm x 51cm, framed

€ 450, -

In the dark of night, on the border between sea and land, I fired emergency flares directly
at suspended photographic paper. As a result of the collision the flare changed trajectory and
instead of flying over sea it landed on shore. At the same time the flare left traces of light on the
photographic paper representing the moment of collision.The result is a series of 8 b &w
photographs that where developed on site, using the night as darkroom.


Jacob Jessen
untitled (flare), 2012
Unique photograph developed on shooting's site
40,5 cm x 51cm, framed

€ 450, -

In the dark of night, on the border between sea and land, I fired emergency flares directly
at suspended photographic paper. As a result of the collision the flare changed trajectory and
instead of flying over sea it landed on shore. At the same time the flare left traces of light on the
photographic paper representing the moment of collision.The result is a series of 8 b &w
photographs that where developed on site, using the night as darkroom.



Daniel Gustav Cramer
Untitled (Peacock), 2011
Photographic print
paper size 30.4 x 24 cm
image size 10.7 x 15.6 cm
Edition 5 + 3AP

€ 450, -

Maria Loboda
The Definition of Sprezzatura, 2011
1:38 min
audio recording
Edition 2 (+1 AP)

€ 450, -



Maria Loboda
The Phenomenon of Crystallization after Stendhal, 2011
2:18 min
audio recording
Edition 2 (+1 AP)

€ 450, -

Maria Loboda
The Physiological Effects of Limerance, 2011
1:28 min
audio recording
Edition 2 (+1 AP)

€ 450, -


Maria Loboda
The Fall of the Narodnik Movement, 2011
1:24 min
audio recording
Edition 2 (+1 AP)

€ 450, -

Gerald Petit
Sans titre (les modifications), 2010
tirage pigmentaire sur Rag satin
40x50 cm avec marges
Edition 5 (+ 2AP)

€ 450, -

Gerald Petit
sans titre (une plume de paon dont la vengeance se décore), 2011
tirage pigmentaire sur Rag satin
40x60 cm avec marges
Edition 5 (+ 2AP)

€ 450, -

Olve Sande
The Fire Sermon I, 2011
70x100 cm
Silk screen on paper
Edition 5 (+ 2 AP)

€ 400, -

The Fire Sermon I-III is a set of drawings extracted from the annotations and marks made by Ezra Pound in the draft for the modernist poem The Waste Land. By removing the underlaying text, these marks are rendered as abstract expressionistic drawings without any apparent motivation. – As every mark on the paper embodies a part of the original manuscript that was edited out or changed, these drawings are tempered and structured by the editors response to a text that these very same lines has made inaccessible to the viewer.


Olve Sande
The Fire Sermon II, 2011
70x100 cm
Silk screen on paper
Edition 5 (+ 2 AP)

€ 400, -

The Fire Sermon I-III is a set of drawings extracted from the annotations and marks made by Ezra Pound in the draft for the modernist poem The Waste Land. By removing the underlaying text, these marks are rendered as abstract expressionistic drawings without any apparent motivation. – As every mark on the paper embodies a part of the original manuscript that was edited out or changed, these drawings are tempered and structured by the editors response to a text that these very same lines has made inaccessible to the viewer.

Olve Sande
The Fire Sermon III, 2011
70x100 cm
Silk screen on paper
Edition 5 (+ 2 AP)

€ 400, -

The Fire Sermon I-III is a set of drawings extracted from the annotations and marks made by Ezra Pound in the draft for the modernist poem The Waste Land. By removing the underlaying text, these marks are rendered as abstract expressionistic drawings without any apparent motivation. – As every mark on the paper embodies a part of the original manuscript that was edited out or changed, these drawings are tempered and structured by the editors response to a text that these very same lines has made inaccessible to the viewer.




Dominique Blais
Trauma (Bruit Blanc) / Trauma (White Noise) , 2010
Faience
Production ESAC Tarbes 2010
Edition of 3 pairs

€ 500, -

Les bouchons d'oreilles blancs, à l'aspect malléable mais dur comme de la pierre,
de Trauma (Bruit Blanc) se rapprochent plus de prothèses évoquant un désagrément
physique lors d'un hypothétique usage.
Le titre met en relation ces objets en céramique avec le bruit blanc – mélange aléatoire
des fréquences audibles par l'oreille humaine – qui serait le pendant auditif du
désagrément précité.

Maurice Blaussyld
Sans titre (1I), 2006
Encre et papier
21 x 29,7 cm
Signed and numbered on verso
Unique piece

€ 450, -

Maurice Blaussyld
Sans titre (1II), 2006
Encre et papier
21 x 29,7 cm
Signed and numbered on verso
Unique piece

€ 450, -

Maurice Blaussyld
Sans titre (2I), 2006
Encre et papier
21 x 29,7 cm
Signed and numbered on verso
Unique piece

€ 450, -


Maurice Blaussyld
Sans titre (3I), 2006
Encre et papier
21 x 29,7 cm
Signed and numbered on verso
Unique piece

€ 450, -

Maurice Blaussyld
Sans titre (3II), 2006
Encre et papier
21 x 29,7 cm
Signed and numbered on verso
Unique piece

€ 450, -

Katinka Bock
Olive blau, 2010
29,5 x 21 cm
Unique
€ 650, -

Ulla von Brandenburg
Rencontre Négatif, 2010
Cut-out
21cm x 14,7 cm
Unique piece

€ 600, -

Ulla von Brandenburg
Rencontre Positif, 2010
Cut-out
21cm x 14,7 cm
Unique piece

€ 600, -

Mel O'Callaghan
We Know A Place, 2008
Lamda Print
60 x 40cm
Edition of 5

€ 450, -

Julien Discrit
Terrae incognitae -Île aux cochons-, 2010-13
Cut and framed map
74 x 55 cm
Edition of 1 + 1 AP
Ed 1/1 € 650, -

Thomas Dupouy
Pause, 2010
Braille embossing on paper
21 x 29,7 cm
Signed and numbered on verso
Edition of 5

€ 250, -

Alexander Gutke
Shine on, 2010
S8 Kodachrome film
Approximately 1 mn 30
Edition 10 + 2 AP, each unique (5 copies available as part of the Irmavep Club Jahresgabe)

The Super-8 film portrays a lit incandescent light bulb displayed against a black background.
The bulb was taken from the last run of production before the closing down of the General Electric
incandescent bulb factory in Winchester, Virginia, 09/23 2010 and is documented using
Kodachrome film, S-8, Type A, which will be developed by Dwayne's Photo, Parson, Kansas,
the last remaining Kodachrome processing facility, which will cease its processing of all
Kodachrome film on 12/30 2010.

The piece consists of 12 unique 1.30 minute films, which document the lit bulb. Each of the 12
films will be available as delivered from the processing facility and no further exhibition copies will
be developed after this date.

Hugo Hopping
New Directions for Future Pilgrims, series, 2009.
Ink-jet print,
25 x 33 cm
Edition of 4

€ 400, -

Hugo Hopping
Collapsing Irresistibly in Real Time (Tacticts), series, 2010
Hand made drawing, Ink on Paper
30 x 42 cm
Edition of 4

€ 450, -

Hugo Hopping
Autorretrato Politico (Political self-portrat as a seventies Mexican slogan), 2010
Digital press print, ink on paper
30 x 42 cm
Edition of 50
48 available

€ 25, -

Guillaume Leblon
OF LIFE, 2010
plaster, sand and various elements (mussels, foam, stones...)
12 x 35 cm approximately
Edition of 6

€ 400, -

Thomas Merret
51°08'25“ N 1°22'16“ E, 2010
Lambda C-print mounted on dibond
30 x 24 cm
Edition of 5

€ 250, -

Laurent Montaron
Minolta MS-15 Star Projector, 2010
Ektachrome 4'x5'
Edition of 10 (5 editions available as part of the Irmavep Club Jahresgabe)

€ 380, -

Benoît-Marie Moriceau
Measuring gestures, 2009
Pigment print (framed)
83,2 x 15,5 cm
Edition of 5

€ 450, -

Bruno Persat
21+1 , 2010
Black box and Ink jet prints on paper
Edition 6 of +1

€ 400, -

21+1 est une série de poster cachée dans une boite noire. 21 images dont une double qui n'ont
été vues que par moi avant d'être enfermées dans la boite, sont imprimées sur des posters de
format différent (la largeur reste la même, la longueur diffère et l'image centrée a toujours la
même taille). l'Idée de la boite noire comme énigme à résoudre soi-même à propos d'une
mémoire créée par un autre. l'Idée d'une série d'images photographiques comme cartographie de
pirates non-violents.
_______

21+1 is a set of posters hidden in a blackbox.
These posters have been seen by me just once before enclosing in the box.
The idea of the blackbox as a riddle of a memory created by another.
The idea of a set of pictures as a cartography of peaceful pirates.

Michael Pfisterer
later and increasing entropy / #2, 2010
Pigment print
50 x 95 cm
Edition of 12 (6 editions available as part of the Irmavep Club Jahresgabe)

€ 380, -

Evariste Richer
Un, 2010
Digital Print on baryte paper
20 x 30 cm
Signed and numbered on verso
Unique

€ 350, -


Evariste Richer
Deux, 2010
Digital Print on baryte paper
20 x 30 cm
Signed and numbered on verso
Edition of 2

€ 350, -


Evariste Richer
Trois, 2010
Digital Print on baryte paper
20 x 30 cm
Signed and numbered on verso
Edition of 3

€ 350, -


Evariste Richer
Quatre, 2010
Digital Print on baryte paper
20 x 30 cm
Signed and numbered on verso
Edition of 4

€ 350, -

Evariste Richer
Cinq, 2010
Digital Print on baryte paper
20 x 30 cm
Signed and numbered on verso
Edition of 5

€ 350, -

Hanna Schwarz
Lirum Larum, 2009
Watercolour on paper
Signed

€ 450, -

Hanna Schwarz
Lirum Larum, 2009
Watercolour on paper
Signed

€ 450, -


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